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Lady Augusta Gregory

Maquette for Trinity College Dublin Art Collections Long Room Bust Competition.

This small maquette of Lady Augusta Gregory (1852-1932) was part of my tender for Long Room of the Old Library female scholar bust competition, Trinity College Dublin.

I was inspired to make a maquette of Lady Gregory as I grew up in a theatrical environment with a mother who wrote and performed all her life, and a great grandmother born in Ireland. The meeting of these two worlds felt very familiar to me and I could appreciate the importance of this woman’s contribution to Irish cultural nationalism.

Despite this sense of affinity with Lady Gregory, in the end I was commissioned to make the Ada Lovelace bust while artist Guy Reid made the Lady Gregory bust.

Augusta Gregory, tender for Long Room Old Library female bust competition Trinity College Dublin

Details

  • Scale: 1/2 life size
  • Size: 39 cm including socle
  • Commissioner: TCD Art Collections

Links

  • Trinity College Dublin Art Collections
  • Sculptor Guy Reid
  • Britannica: Lady Augusta Gregory
  • Augusta Gregory, tender for Long Room Old Library female bust competition Trinity College Dublin
    Augusta Gregory
  • Augusta Gregory, tender for Long Room Old Library female bust competition Trinity College Dublin
    Augusta Gregory
  • Augusta Gregory, tender for Long Room Old Library female bust competition Trinity College Dublin
    Augusta Gregory
  • Clay sculpt of Augusta Gregory in progress
    Clay sculpt of Augusta Gregory in progress
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The ‘Me’ Gallery

HOD Creature FX Neal Scanlan and I
HOD Creature FX Neal Scanlan and I
'Red Star' on display at Figurativas2021 MEAM Barcelona
‘Red Star’ on display at Figurativas2021 MEAM Barcelona
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Figure poly carve in progress for ruin set (The Hobbit)
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Creature FX Sculptor Crew photo (I’m holding the dog)
Maudie Brady with the Australian actor Geoffrey Rush.
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Finished chandelier before painting (Dark Chrystal)
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‘Reflection’ 3/4 clay sculpt in progress
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Poly carving of table
At MEAM for opening of the 14th ARC International Salon
At MEAM for opening of the 14th ARC International Salon
Figure poly carve for ruin set in The Hobbit
Figure poly carve for ruin set in The Hobbit
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Écorhcé class end of year
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Polishing the Dark Crystall
Sculptor of the month in The Guide Artists Magazine (2018)
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Awards Ceremony Honorable Mention in the 14th ARC Salon
Awards Ceremony in MEAM -Honorable Mention in the 14th ARC Salon
'Reflection' clay sculpt in progress
‘Reflection’ clay sculpt in progress
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Me and my work Laura
Marble carving in Jason Arkles studio
Launch of new female busts in Long Room
At the official launch of the new female busts in the Long Room, St Brigid’s Day 2023
Foundry in Sunshine, Australia
At Fundere foundry with ACU Art Collection curator Caroline Field and foundry director Cameron McIndoe. Sunshine, Australia
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Maudie Brady with Mother Teresa. Work in progress
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Moomba Parade 2011- float for King and Queen of Moomba carve
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I am sculpting a character mask for Star Wars, designed by Luke Fisher
Moomba Parade 2011- Royal Melbourne Show Float
Moomba Parade 2011- Royal Melbourne Show Float
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Harp playing mermaid carve in progress
The Hobbit by Maudie Brady
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Moomba Parade 2011 poly carve
Moomba Parade 2011 poly carve, beard carved by Vince Partington
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Nicholas Dunand and myself did this polycarve of a small spacecraft.
Moomba Parade 2011 poly carve
Moomba Parade 2011 poly carve
Moomba Parade 2011- Throne for King and Queen of Moomba carve
Moomba Parade 2011 – Throne for King and Queen of Moomba carve
Moomba Parade 2011 thrones
Moomba Parade 2011 thrones

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Editions explained

In the context of sculptures, the term “edition” refers to a specific number of identical or nearly identical copies produced from an original sculpture, with each copy being numbered and signed. The artist closely oversees the production of each edition to ensure that the quality and fidelity to the original sculpture is maintained.

Artists and galleries usually provide a certificate of authenticity with each edition, including details about the sculpture, the edition number, and the artist’s signature. These certificates help establish the provenance and authenticity of the artwork.

In short, “edition” refers to a limited number of authorised copies produced from an original sculpture and therefore valuable and collectible in the art market.

One-of-a-kind sculptures are not considered editions because there is only a single, unique piece, and no reproductions are made.

Academic explained

When a sculpture is described as “academic,” it suggests that the artwork adheres to traditional artistic conventions, emphasising realism, precision, classical influences, and strong technical skills. It is often, but not always, created in a teaching environment where the artist has support and receives feedback from skilled teachers and colleagues.

Fragments and Crops

A Fragment is a unique single side cast of a part of a sculpture. It is a three dimensional object and can be any part of the sculpture, the face, part of a face, a shoulder blade, even the whole front or back of a torso. Fragments are often used by artists themselves to make a quick cast of a favourite part of a sculpture to be hung on the wall.

A Crop is similar to a fragment in that it’s taken from part of a sculpture. It’s not single sided but has a front and a back and therefore need a base to hold it upright.

Fragments and Crops are usually made in plaster or resin, they are not part of editions and does not come with certificates of authenticity but are usually signed by the artist.

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